Wednesday, October 14, 2009

Tintern Abbey







Wordsworth, William. 1888. Complete Poetical Works.:
"COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS OF THE WYE DURING A TOUR. JULY 13, 1798

FIVE years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.--Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view 10
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods, 20
Or of some Hermit's cave, where by his fire
The Hermit sits alone."

I have always wanted to travel around the globe to visit the many places and settings of which my favorite authors and my favorite characters have been a part. Indeed, this was the major theme of my application essay for my Fulbright Exchange. Wordsworth's poem, "Lines Composed A Few Miles Above Tintern Abbey..." written in July 1798 by William Wordsworth is just one such poem. I have always been drawn to this poem. The speaker's attitude towards nature and the nostalgic tone are vividly portrayed through the language and imagery in this poem. The speaker's solitude is evident through the use of words such as "wild secluded", "deep seclusion" "silence, from among the trees", and this "Hermit's cave" offer the image of a secluded valley surrounded by hills with a rolling river. There is a reverence for nature and the surroundings of the Hermit that the speaker demonstrates. The Hermit is happy, despite being alone, because he is surrounded by the peacefulness of nature. The description of the setting paints vivid pictures in the reader's mind: "waters, rolling", "steep and lofty cliffs", "wild secluded", "plots of cottage-ground", further support the image of a small village in isolation, difficult to traverse and get to, and a valley onto which one just stumbles upon as one traverses the "hedge-rows" that are "hardly-hedgerows." The beauty of the surrounding hillsides paints the scene with all the "green hue" of summer and "orchard-tufts" with "unripe fruits". There is a calm purity in the valley of Tintern, where the great structure of the Abbey lies in ruins, which offers the speaker a "quiet repose under the dark sycamore" and one which I had always desired to see. My favorite phrase from this first stanza is this: "and connect the landscape with the quiet of the sky." It is my favorite because it is calming - for me it provides an image of a mind in turmoil finally connecting with nature and coming to a restful state of existence as the speaker quietly enjoys the beauty of his surroundings. To some extent this exchange experience has been such a calming and connecting experience with my own inner spirit.

It was an emotional journey I undertook this week as I found my way to Tintern and walked the ruins of the Abbey. While I have not included the poem in its entirety here, as it is quite long, I could go on and on with the analysis. The seclusion and the peace pervades the village and the Abbey ruins. Perhaps as the weeks pass and even after I return I will continue to add the stanzas and resulting reflections. The second benefit of this experience is that it has provided me the opportunity to reconnect with some great poetry that I had all but forgotten as a student, but see all too often only as a teacher.

Friday, October 9, 2009

Long Day's Journey Into Night

We're reading Long Day's Journey Into Night in theater class right now, and the students are encountering The Tyrone's, a dysfunctional family to say the least. Their predictions about the play were that it was going to be boring, somewhat funny, or inaccessible 'like Shakespeare.'

What is impressing me most, however, is that so many of them have not only fully grasped the flaws and idiosyncrasies of these characters, but that they are discussing, all on their own, the family's inability to be truthful, genuine and caring towards one another. They are passionately voicing their frustrations regarding the family's inability to care for Edmund, and Mary and Tyrone's tragic flaws. There are some in the class that didn't want to stop reading today, begging to take a copy of the play home this weekend in order to continue the Tyrone's story.

Long Day's Journey Into Night is heart-wrenching, frustrating and painful. These characters are deep, multi-dimensional, and anything but static or simple. They are lost, imperfect, tragic characters unable to speak truthfully to one another. The students get it, and they comprehend much more than they anticipated. This class is changing many of their preconceptions about theater, drama, and literature in general.

One Day in the Life of Ivan Denisovich

Since Nobel Peace Prizes are so much in the news, it's worth mentioning that yesterday - October 8 - was the day in 1970 that Russian author Alexander Solzhenitsyn won the Prize for his groundbreaking novel One Day in the Life of Ivan Denisovich.

Published in 1962, One Day allows readers a glimpse into the life of the title character, Ivan Denisovich, a prisoner in a Soviet gulag. The novel is based on Solzhenitsyn's own sufferings as a prisoner, and its portrayal of the stark and inhumane conditions of Stalin's prison camps shocked the world.